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Wily Capsule

NES

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Created: October 24, 2013 at 12:00 AM

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Mega Man 4
Wily Capsule (Final Boss Theme)

Composed By: Yasuaki Fujita, Minae Fujii 
Tabbed by: Suddenimpact711

--Short and sweet, this song repeats ad infinitum after measure 8.



                               (Melody & Harmony)


Gtr I (E A D G B E) - 'Guitar 1'
Gtr II (E A D G B E) - 'Guitar 2'

  Q=170
 4/4
  Gtr I
  Q  E  E  +E  E E  E    +E  E E  E  +E   E E E
|---------------------|-------------------------|
|---------------------|-------------------------|
|---------------------|-------------------------|
|----9-10-(10)---9-10-|-(10)---9-10-(10)-10-8-6-|
|-8------------8------|------8------------------|
|---------------------|-------------------------|
|
| Gtr II
| W                       W
|---------------------|-------------------------|
|---------------------|-------------------------|
|---------------------|-------------------------|
|---------------------|-------------------------|
|---------------------|-------------------------|
|---------------------|-------------------------|


  S S S S  Q  E S S S S  E    +E  E E  E E  E E E
|--------------------------|----------------------|
|--------------------------|--------------------8-|
|--------------------------|------8-8----8----9---|
|-8-6-8-9-10----8-6-8-9-10-|-(10)-----10---10-----|
|--------------------------|----------------------|
|--------------------------|----------------------|
|
| W                            E  E E  E E  E E E
|--------------------------|--------------------0-|
|--------------------------|------1-1----1----1---|
|--------------------------|-----------0----0-----|
|--------------------------|----------------------|
|--------------------------|----------------------|
|--------------------------|----------------------|


  Q.   S S E E E E   Q.   S S E E E E
|------------------|-4----3-4-6-4-3---|
|-9----8-9-8-6-4---|----------------4-|
|----------------5-|------------------|
|------------------|------------------|
|------------------|------------------|
|------------------|------------------|
|
| Q.   S S E E E E   Q.   S S E E E E
|-1----------------|------------------|
|------4-6-4-------|-4----4-6-8-6-4---|
|------------5-3-1-|----------------5-|
|------------------|------------------|
|------------------|------------------|
|------------------|------------------|


                                    D.C.
  Q.   S S H      E E E  E E  E E   E
|-8----6-4-8----|------------------------*|
|---------------|------------------------*|
|---------------|---9-9----9----9--------*|
|---------------|-------10---10----------*|
|---------------|------------------------*|
|---------------|------------------------*|
|
| Q.   S S H      E E E  E E  E S S S S
|-4----3-1-4----|------------------------*|
|---------------|------------------------*|
|---------------|---5-5----5----5-3-1-0--*|
|---------------|--------5----5----------*|
|---------------|------------------------*|
|---------------|------------------------*|

 


                                   (Rythym & Bass)


Gtr I (E A D G B E) - 'Rythym'
Gtr II (E A D G) - 'Bass'

  Q=170
 4/4
  Gtr I
   S S  S  S  E  S  S  S S  S  S  E  S  S
|-----------------------------------------|
|-----------------------------------------|
|-----------------------------------------|
|-----------------------------------------|
|-----------------------------------------|
|--1----1--1--0--1-----1----1--1--0--1----|
|
| Gtr II
|  E    S  S  E  S  S  E    S  S  E  S  S
|-----------------------------------------|
|-15---15-15-15-15-15-15---15-15-15-15-15-|
|-----------------------------------------|
|-----------------------------------------|


   S S  S  S  E  S  S  S S  S  S  E  S  S
|------------------------------------------|
|------------------------------------------|
|------------------------------------------|
|------------------------------------------|
|------------------------------------------|
|--1----1--1--0--1-----1----1--1--0--1-----|
|
|  E    S  S  E  S  S  E    S  S  E  S  S
|------------------------------------------|
|-13---13-13-13-13-13-13---13-13-13-13-13--|
|------------------------------------------|
|------------------------------------------|


   S S  S  S  E  S  S  S S  S  S  E  S  S
|-----------------------------------------|
|-----------------------------------------|
|-----------------------------------------|
|-----------------------------------------|
|-----------------------------------------|
|--1----1--1--0--1-----1----1--1--0--1----|
|
|  E    S  S  E  S  S  E    S  S  E  S  S
|-----------------------------------------|
|-11---11-11-11-11-11-11---11-11-11-11-11-|
|-----------------------------------------|
|-----------------------------------------|


   S S  S  S  E  S  S  S S  S  S  S S  S  S
|-------------------------------------------|
|-------------------------------------------|
|-------------------------------------------|
|-------------------------------------------|
|-------------------------------------------|
|--1----1--1--0--1-----1----1--1--0-1--0--1-|
|
|  E    S  S  E  S  S  E    S  S  E    S  S
|-------------------------------------------|
|-10---10-10-10-10-10-10---10-10-10---10-10-|
|-------------------------------------------|
|-------------------------------------------|


   S S  S  S  E  S  S  S S  S  S  E  S  S
|-----------------------------------------|
|-----------------------------------------|
|-----------------------------------------|
|-----------------------------------------|
|-----------------------------------------|
|--1----1--1--0--1-----1----1--1--0--1----|
|
|  E    S  S  E  S  S  E    S  S  E  S  S
|-10---10-10-10-10-10-10---10-10-10-10-10-|
|-----------------------------------------|
|-----------------------------------------|
|-----------------------------------------|


   S S  S  S  E  S  S  S S  S  S  E  S  S
|-----------------------------------------|
|-----------------------------------------|
|-----------------------------------------|
|-----------------------------------------|
|-----------------------------------------|
|--1----1--1--0--1-----1----1--1--0--1----|
|
|  E    S  S  E  S  S  E    S  S  E  S  S
|-13---13-13-13-13-13-13---13-13-13-13-13-|
|-----------------------------------------|
|-----------------------------------------|
|-----------------------------------------|


   S S  S  S  E  S  S  S S  S  S  E  S  S
|-----------------------------------------|
|-----------------------------------------|
|-----------------------------------------|
|-----------------------------------------|
|-----------------------------------------|
|--1----1--1--0--1-----1----1--1--0--1----|
|
|  E    S  S  E  S  S  E    S  S  E  S  S
|-15---15-15-15-15-15-15---15-15-15-15-15-|
|-----------------------------------------|
|-----------------------------------------|
|-----------------------------------------|


                                        D.C.
   S S  S  S  E  S  S  S S  S  S  S S  S  S
|---------------------------------------------*|
|---------------------------------------------*|
|---------------------------------------------*|
|---------------------------------------------*|
|---------------------------------------------*|
|--1----1--1--0--1-----1----1--1--0-1--0--1---*|
|
|  E    S  S  E  S  S  E    S  S  E    S  S
|-17---17-17-17-17-17-17---17-17-17---17-17---*|
|---------------------------------------------*|
|---------------------------------------------*|
|---------------------------------------------*|

Duration Legend
---------------
W - whole; H - half; Q - quarter; E - 8th; S - 16th; T - 32nd; X - 64th; a - acciaccatura
+ - note tied to previous; . - note dotted; .. - note double dotted
Uncapitalized letters represent notes that are staccato (1/2 duration)
Irregular groupings are notated above the duration line
Duration letters will always appear directly above the note/fret number it represents the
duration for.  Duration letters with no fret number below them represent rests.  Multi-
bar rests are notated in the form Wxn, where n is the number of bars to rest for.  Low
melody durations appear below the staff

Tablature Legend
----------------
 h   - hammer-on
 p   - pull-off
 b   - bend
 pb  - pre-bend
 r   - bend release (if no number after the r, then release immediately)
 /\  - slide into or out of (from/to "nowhere")
 s   - legato slide
 S   - shift slide
  - natural harmonic
[n]  - artificial harmonic
n(n) - tapped harmonic
 ~   - vibrato
 tr  - trill
 T   - tap
 TP  - trem. picking
 PM  - palm muting
\n/  - tremolo bar dip; n = amount to dip
 \n  - tremolo bar down
 n/  - tremolo bar up
/n\  - tremolo bar inverted dip
 =   - hold bend; also acts as connecting device for hammers/pulls
 <>  - volume swell (louder/softer)
 x   - on rhythm slash represents muted slash
 o   - on rhythm slash represents single note slash

Misc Legend
-----------
 |  - bar
||  - double bar
||o - repeat start
o|| - repeat end
*|  - double bar (ending)
 :  - bar (freetime)
 $  - Segno
 &  - Coda
Tempo markers -  = BPM(8/16=s8/s16), where s8 = swing 8ths, s16 = swing 16ths


***************************************************************************************
* Generated using Power Tab Editor by Brad Larsen - http://powertab.guitarnetwork.org *
***************************************************************************************
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