Nintendo 64
5.000 avg rating 3 ratings
Tabber: Lemoncobbler
Composer: Koji Kondo
Style: Arrangement, Fingerstyle
Instrument: Guitar
13497 views 12 years ago
Boo's Merry Go round
Super Mario 64
Composed by Koji Kondo
Arranged by Lemoncobbler
June 21st 2012
Even the midi is nightmare inducing~
(Capo 3)
E E E E E E Q Q Q E E E E E E
E ||---0-----0-----0-----|--2----1----1----|--0-----0-----0-----|
B ||------4-----4-----4--|-----------------|-----4-----4-----4--|
G ||*--------------------|-----------------|--------------------|
C#||*--------0--L--0--L--|-------0----0----|--------0--L--0--L--|
A ||---0--------------L--|-----------------|--0--------------L--|
E ||---------------------|--0--------------|--------------------|
Q Q Q E E E E E E Q Q Q Q Q Q
--2----1----1----|--0-----0-----0-----|--2----1----1----|--0--------------|
-----------------|-----4-----4-----4--|-----------------|-----------------|
-----------------|--------------------|-----------------|-----------------|
-------0----0----|--------0--L--0--L--|-------0----0----|-----------------|
-----------------|--0--------------L--|-----------------|-------2----2----|
--0--------------|--------------------|--0--------------|--4--------------|
Q Q Q E E E E E E Q Q Q E E E E E E
-----------------|--------------------|--0--------------|--------------------|
-----------------|--3-----3-----3-----|-------3----3----|--3-----3-----3-----|
-----------------|-----6-----6-----6--|-----------------|-----6-----6-----6--|
-----------------|--------3--L--3--L--|-----------------|--------3--L--3--L--|
-------2----2----|--------------------|-------2----2----|--------------------|
--0--------------|--4--------------L--|--0--------------|--4--------------L--|
Q Q Q E E E E E E Q Q Q Q Q Q
--0--------------|--------------------|--0--------------|-----------------|
-------3----3----|--3-----3-----3-----|-------3----3----|--3--------------|
-----------------|-----6-----6-----6--|-----------------|-------2----2----|
-----------------|--------3--L--3--L--|-----------------|-----------------|
-------2----2----|--------------------|-------2----2----|--0--------------|
--0--------------|--4--------------L--|--0--------------|-----------------|
Q Q Q E E E E E E Q Q Q E E E E E E
-----------------|--0-----0-----0-----|--2----1----1----|--0-----0-----0-----|
--2--------------|-----4-----4-----4--|-----------------|-----4-----4-----4--|
-------2----2----|--------------------|-----------------|--------------------|
-----------------|--------0--L--0--L--|-------0----0----|--------0--L--0--L--|
-----------------|--0--------------L--|-----------------|--0--------------L--|
--0--------------|--------------------|--0--------------|--------------------|
Q Q Q E E E E E E Q Q Q Q Q Q
--2----1----1----|--0-----0-----0-----|--5----4----3----|--2--------------|
-----------------|-----4-----4-----4--|-----------------|-----------------|
-----------------|--------------------|-----------------|-------2----2----|
-------0----0----|--------0--L--0--L--|-------0----0----|--5--------------|
-----------------|--0--------------L--|-----------------|-----------------|
--0--------------|--------------------|--0--------------|-----------------|
Q Q Q E E E E Q Q Q Q E E E E Q
-----------------|--2--1--2--1--4----|--7----5---------|--0-----0-----0----|
--3--------------|-------------------|------------7----|-----4-----4-------|
-----------------|--------2-----2----|-----------------|--------2-----2----|
-----------------|-------------------|-------8----8----|-------------------|
--5----5----5----|-------------------|-----------------|--0----------------|
-----------------|--2----------------|--8--------------|-------------------|
Q Q Q E E E E Q Q Q Q Q Q Q
--5----4----0----|-------------------|--0--------------|-----------------|
-----------------|--3-----3-----3----|-------3----3----|--2--------------|
-----------------|-----6-----6-------|-----------------|-------2----2----|
-------0----0----|--------3--L--3----|-----------------|-----------------|
-----------------|-------------------|-------2----2----|--0--------------|
--0--------------|--4----------------|--0--------------|-----------------|
Q Q Q Q Q Q H.
------------------||--0--------------|---------------|-------------------||
------------------||-------3---------|---------------|-------------------||
--2--------------*||------------1----|--2------------|-------------------||
-----------------*||-----------------|--3------------|-------------------||
------------------||-------2---------|--0------------|-------------------||
------------------||--0---------4----|---------------|-------------------||
Duration Legend
---------------
W - whole
H - half
Q - quarter
E - 8th
S - 16th
T - 32nd
X - 64th
. - note dotted
|-n-| - n-tuplets
Tablature Legend
----------------
L - tied note
x - dead note
g - grace note
(n) - ghost note
> - accentuded note
NH - natural harmonic
AH - artificial harmonic
TH - tapped harmonic
SH - semi harmonic
PH - pitch harmonic
h - hammer on
p - pull off
b - bend
br - bendRelease
pb - preBend
pbr - preBendRelease
brb - bendReleaseBend
\n/ - tremolo bar dip
\n - tremolo bar dive
-/n - tremolo bar Release up
/n\ - tremolo bar inverted dip
/n - tremolo bar return
-\n - tremolo bar Release down
S - shift slide
s - legato slide
/ - slide into from below or out of upwards
\ - slide into from above or out of downwards
~ - vibrato
W - wide vibrato
tr - trill
TP - tremolo picking
T - tapping
S - slap
P - pop
< - fade in
^ - brush up
v - brush down
@musenji 10 years ago
Nice tab, though there are a couple things I'd do differently. First I'd change measures 9 and 10 to be this way:
...In measure two, on the B string, those should definitely be 4's, not 3's--it's a half-step downward progression.
Now as to the notes in parentheses: they complete the chords in the original track...but obviously it's impossible to play both the whole way through, so we compromise by only including one.
Given that we're going to include only one, I would opt to keep the same one in the first and second measure, rather than changing it up, since the two-note harmony is what provides continuity between the two measures (everything else changes).
And since it's really really hard to do the 2 on the A string in measure one, I would just do the 3 on the C# string in both measures. It also does provide a more striking contrast, imo, in the second measure.