Mikuru no Kokoro

Suzumiya Haruhi no Yuutsu

Anime

5.000 avg rating 7 ratings

Tabber: diralark

Composer: Satoru Kousaki

Style: Arrangement, Fingerstyle

Instrument: Guitar

12246 views 12 years ago

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                 Mikuru no kokoro     -    Suzumiya Haruhi no yuutsu

Music by Satoru Kousaki   >>  duet guitar arr. by RexLeRouge  >>  solo guitar arr. by Diralark

Solo Guitar, tempo 78, let ring

     A                           A7M                        A                         
     E  E  E  S  S E  E  Q       E   E  E  Q    E  E  E     E  E  E  S  S E  E  Q     
E||----------------0----------|------------0-------------|----------------0----------|
B||-----------0h-2-------2----|--------------------3-----|--2--------0h-2-------2----|
G||--------2----------2-------|---------2-------2-----2--|--------2----------2-------|
D||-----2---------------------|------3-------------------|-----2---------------------|
A||--0------------------------|--0-----------------------|--0------------------------|
E||---------------------------|--------------------------|---------------------------|


  A7M                        A                         E/G#                         
  E   E  E  E  H             E  E  E  S S Q    Q       E    E  E  S  S E  E  E  E   
------------0-----------||--------------0-----------|--0-------0--2p-0----------0--|
--3------------3--------||---2-----2--3-------------|------------------0-----0-----|
---------2--------------||*--------2------2---------|----------1----------1--------|
------3-----------------||*-----2--------------2----|-------2----------------------|
--0---------------------||---0----------------------|------------------------------|
------------------------||--------------------------|--4---------------------------|


                                                                  1.________________
  F#m (II)          A/E -]          Dsus2          D                Bm (II)            E            
  E        E  E  E  E   E  E  E     E     E  E  S  S E  E  E  E     E       E  E  S  S E  E  E  E   
--5-----------------4---2--0-----|--------------0h-2-------------|--2----------2--5S-4----------2--|
---------------------------2-----|-----------3-------3-----3--2--|-------------3-------------------|
-----------------2------------2--|--------2-----2-------2--------|-------------4-------------1-----|
--------------4------------------|--0----------------------0-----|----------4----------------2-----|
-----------4---------------------|-------------------------------|--2---------------------2--------|
--2-----------------0------------|-------------------------------|---------------------0-----------|


  C#m       F#m (II)                  -- Bm                          E4       E              
                                                                                 ^           
  E   E  E  S        S E  E  E  E     E  S  S E  S  S E  E  E  E     E  E  E  E  H           
--0------0--2----------------------|------------------2-----------|--------------0---------||
---------0-----------2-------------|--2--3--3----2h-3----3--2-----|--------------0---------||
------1----------------------2-----|----------2----------2-----2--|-----2-----1--1--------*||
-----------------------------4-----|-----4------------------------|--------2--------------*||
--4-----------------------4-----4--|--2---------------------------|-----2------------------||
-----------------------2-----------|------------------------------|--0---------------------||


2._______________
  Bm (II)            E              C#m (IV)                           VII          -]            
                                                                                       ^          
  E       E  E  S  S E  E  E  E     E        E  E  S  S E  E  E  E     E    S  S E  E  Q    Q     
----------------9p-7----------2--|-----------------7p-5-------5--7--|--9---------------0----4----|
--7----------7-------------------|--5-----------5-------------------|------10-10-------0---------|
-------------7-------------1-----|--------------4-------------------|------------7---------------|
---------------------------2-----|-----------6----------4-----4-----|------------7-----6---------|
----------9-------------2--------|--4----------------------4--------|-------9-------9------------|
--7------------------0-----------|----------------------------------|--7---------------0---------|


  A(II)                                                      DM7(II)                    
  E     E  E  E  E  E  Q       E  E  E  E  Q    Q       S  S E       E  E  E  E  E  E   
--5-------------------------|------------------------|--4s-5------------L--2-----------|
--------------3--2-----2----|--0--------0--2---------|---------------2-----------2-----|
-----------2--------2-------|--------0-----0----2----|-------2----------2-----2-----2--|
--------2-------------------|--------------2---------|--0------------------------------|
--0-------------------------|-----4--------0---------|---------------------------------|
----------------------------|--5---------------------|---------------------------------|


  D7 (V)                         C#m7 (IV)                         F#m (II)                -]     
  E      E  E  E  E  E  E  E     E         E  E  E  E  E  E  E     E        E  E  E  E  E  E  E   
---------5--5-----7--5-----5--|--4------------------4-----------|--------------4--2--5--4--2--0--|
---------------9--------9-----|------------5-----5--------5-----|--------------------------2-----|
------------5-----------------|---------------4--------4-----4--|-----------------2-----2--------|
---------7--------7-----------|------------6--------------------|--------------4-----------------|
--5---------------------------|--4------------------------------|-----------4--------------------|
------------------------------|---------------------------------|--2-----------------------------|


  Bm7(VII)                           Dm(V)                        E                        
  E        E   E  E   E  E  E  E     E     E  E  E  Q    E  E     E  E  E  E  E  E  E  E   
----------------------------------|-----------------5----9--L--|--7-----------0-----------|
---------------------10-----------|--5--------------6----------|-----------0--------0-----|
--9--------7------7---------7-----|--------7--6--7-------------|-----------------1-----1--|
--------------11---------7-----7--|--------7-------------------|--------6-----------------|
-----------9----------------------|--5-------------------------|-----7--------------------|
--7-------------------------------|----------------------------|--0-----------------------|


  E                           D7M       A/C#            Bm7(II)    -] A                 
  ^                           ^         ^               ^             ^                 
  E  E  S S S  S Q.     E     E   E  E  Q    E  Q       E       E  E  Q    S S S  S E   
--0---------0h-2-4------L--|--2---4--5-------L--L----|-------------2--0----------------|
--0-----0------------------|--2---------5----L--5----|--3-------5-----2--------0h-2-L--|
--1--1----1----------------|--2---------2----2--L----|--2-------------2------2---------|
--2------------------------|--0----------------------|--4-------------2----2-----------|
--2------------------------|------------4----L--L----|--2-------------0----------------|
--0------------------------|-------------------------|---------------------------------|


  D7M       A/C#              E4    E                 F#m (I)                              
  ^         ^                 ^     ^                                                      
  E   E  E  E    Q    Q       E  E  H        E  E     E       E  E  T T T  T  E  E  E  E   
--2---4--5-------L----L----|--0-----0--------L--L--|--------------------------------------|
--2---------5----L----L----|--0-----0--------L--L--|--1----------1----1-------------1-----|
--2---------2----L----L----|--2-----1--------L--L--|--------------------4p-3p-2-----------|
--0------------------------|--2-----2--------L--L--|--3----------3------------------3-----|
------------4----L----4----|--2-----2--------L--L--|----------3-----3------------3-----0--|
---------------------------|--0-----0--------L--L--|--1-----------------------------------|


  AM7        A       ??             F (I)                           -]       
                                             |-3| |3|  |-3| |3|  |-3|  |3|   
  E   S S S  S S S S S  E  E  E     E     E  E  S S E  E  S S E  E  S  S E   
------0----------0---------------|------------------------------------------|
--2-------0h-2-----0-------------|--1--------1---------1------1--3--1----3--|
--------1------2-----1h-2--1-----|--------------2---4-----4-----------------|
------2-----------------------2--|--3--------3---------2--------------------|
--0------------------------------|--------3-------3---------3----------0----|
---------------------------------|--1----------------------------1----------|


  A7M                               C                                   
  |-3-| |3|                                                             
  E   S S E  S S S S S S E  Q       S S E  S E  S S S  S S S T  T  S S  
----------0--------0-----0-------|-------------------------------------|
--3s--5------0-2-----2------2----|------1------------------------------|
----------1------2-----1---------|----2------0-----------0-------------|
--------2------------------------|---------2------2-2h-3---2-2h-3p-0---|
--0------------------------------|--3------3----3-3--------3---------3-|
---------------------------------|-------------------------------------|


  A/C#(II)                                 F7M         Bb7M          A7M                   
                                           ^           ^             ^                     
  S        S S S S S S S S  S  S S Q       Q.     S  S Q    E  E     E   E  H.             
----------------------------------------|--------------0----0-----|----------------------||
-----------------------2-2h-3p-2--------|---------2h-3-3-------3--|--0h--2--L------------||
-----------2-----4---------------2------|--------------2----------|--1------L------------||
-------------2-------2-------------2----|--3-----------3----------|--2------L------------||
--4------------4---4-----4--------------|--0----------------------|--0------L------------||
----------------------------------------|--1----------------------|----------------------||

Legend
---------------
H - half
Q - quarter
E - 8th
S - 16th
T - 32nd
. - note dotted
|-n-|  - n-tuplets
L - tied note
h - hammer on
p - pull off
^ - brush up

@Chase99234 12 years ago

Amazing.

@diralark 12 years ago

Replying to:
@Chase99234 Amazing.

Thanks, You kind !

Btw, in case anyone want play the duet version , RexLeRouge made it (and it's the source I used to build a solo version) Here is : http://www.gametabs.net/suzumiya-haruhi-no-yuutsu/mikuru-no-kokoro#comment-68586

@ametueraspirant 10 years ago

the timing is off on the thirty-second bar, it's more notes than the 4/4 time holds

@diralark 10 years ago

Replying to:
@ametueraspirant the timing is off on the thirty-second bar, it's more notes than the 4/4 time holds

Well apparently, it s 1/4 times for GP

A7M
|-3-| |3|
E   S S E
E||----------0--||
B||--3s--5------||
G||----------1--||
D||--------2----||
A||--0----------||
E||-------------||

And.. please don't ask me why :D

@auriplane 10 years ago

Replying to:
@ametueraspirant the timing is off on the thirty-second bar, it's more notes than the 4/4 time holds

No, it's fine. (Did you miss the triplet markings?)

The GP5/sheet music would be better, though, if the triplets were on the upper voice and the eighth notes were on the lower voice. (But I don't think the author tried to make the rhythm in the sheet music particularly readable.)

@diralark 10 years ago

Replying to:
@auriplane No, it's fine. (Did you miss the triplet markings?) The GP5/sheet music would be better, though, if...

I tried using 2 voices then here's the patch :

I'm a patch https://mega.co.nz/#!VkplnRLJ!SIcpDg745Uk4cXCtmLZ-bGBTU1EZadyYSEd2btHxAtc

Then the bars become easier to read perhaps (?) :

|-3| |3|  |-3| |3|  |-3| |3|     |-3-| |3|
E  E  E  S S E  E  S S E  E  S S E     E   S S T S S S S S S S E  Q
E||------------------0-------------------|----------0---L-----0-----0-------||
B||--1------------0--1--0---1--3--1---3--|--3s--5-------0-2-----2------2----||
G||-----------2--------------------------|------------1-----2-----1---------||
D||--3-----3-------------------3---------|--------2-------------------------||
A||-----3-------3---------3---------0----|--0-------------------------------||
E||--1-----------------------------------|----------------------------------||

hum.. I can't say (?) since I'm not enough musically skilled to try read the bar N°33 or 34th (it looks like a torture lol)

Personally no difference coz I play these rhythms from memory :)

@ametueraspirant 10 years ago

Replying to:
@auriplane No, it's fine. (Did you miss the triplet markings?) The GP5/sheet music would be better, though, if...

i didn't think the triplets were important, do they affect the timing in any way?

@auriplane 10 years ago

Replying to:
@ametueraspirant i didn't think the triplets were important, do they affect the timing in any way?

You can fit 3 triplets in the space of 2 regular notes.

If we divide it into upper and lower voices and space it out proportionately, it looks like this:

F(I)                                                                                A7M
|---3---|   |---3---|   |---3---|    |---3---|
Q           E   E   E   E   E   E   E   E   E    E   E   E   S  S  S  S  S  S  E     Q
|------------------------------------------------|--------0------------0--------0-----------------|
|1-----------1-----------1-------1---3---1---3---|3--s5-------0--2--------2-----------2-----------|
|----------------2---4-------4-------------------|--------1---------2--------1--------------------|
|3-----------3-----------2-----------------------|------2-----------------------------------------|
|------3-----------3-----------3-----------0-----|0-----------------------------------------------|
|1-----------------------------------1-----------|------------------------------------------------|
E     E     E     E     E     E     E     E      E     E    (H.)

Here, the bottom voice has 8 eighth notes, adding up to 4/4.

In the space of the last 6 eighth notes, the top voice has 9 triplet eighth notes. Those 9 triplets take up the space of 6 regular notes, so both voices add up to 4/4.

@auriplane 10 years ago

Replying to:
@auriplane You can fit 3 triplets in the space of 2 regular notes. If we divide it into upper and lower voices...

If we write the voices on separate staves:

|---3---|   |---3---|   |---3---|    |---3---|
Q           E   E   E   E   E   E   E   E   E    E   E   E   S  S  S  S  S  S  E     Q
|------------------------------------------------|--------0------------0--------0-----------------|
|1-----------1-----------1-------1---3---1---3---|3--s5-------0--2--------2-----------2-----------|
|----------------2---4-------4-------------------|--------1---------2--------1--------------------|
|3-----------------------------------------------|------------------------------------------------|
|------------------------------------------------|------------------------------------------------|
|------------------------------------------------|------------------------------------------------|
|                                                |                                                |
|                                                |                                                |
|------------------------------------------------|------------------------------------------------|
|------------------------------------------------|------------------------------------------------|
|------------------------------------------------|------------------------------------------------|
|------------3-----------2-----------------------|------2-----------------------------------------|
|------3-----------3-----------3-----------0-----|0-----------------------------------------------|
|1-----------------------------------1-----------|------------------------------------------------|
E     E     E     E     E     E     E     E      E     E    (H.)

The tab is a representation of these two things squished into one staff. Unfortunately the tab is rather hard to read since it's written with only one voice, but hopefully looking at it this way you can see how it adds up to 4/4 :-)

@diralark 10 years ago

Replying to:
@auriplane If we write the voices on separate staves: |---3---| |---3---| |---3---| |---3---| Q...

Oh indeed "|---3---|" notation looks better than "|-3| |3|" thanks to fix it for the best. It's pity GP5 can't separate time duration notations as u did (Bass down and Treble high) when 2 voices are used, I think this is a great idea & curiously I never noticed anyone used it before, anyway I'll try to remind that. Many thanks for your explanations :)

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Mikuru no Kokoro

Suzumiya Haruhi no Yuutsu